摘要
2016—2017年,湖南省文物考古研究所对长沙窑遗址石渚片区发掘2275平方米,出土了大量遗迹和遗物,为认识长沙窑的发展脉络和文化内涵提供了新资料。本文重点分析了石渚樊家坪发掘区10号灰坑的出土遗物及其年代,通过与其他考古资料对比研究,可以看出长沙窑绘画类瓷器的发展呈现明显的阶段性。从绘画题材、技法和水平来看,长沙窑绘画真正成熟并繁荣的时期约为唐代大中年间(847—860)。由此次发掘引发的长沙窑高温釉上彩的讨论,仍需更严谨的科学检测与实验去支撑。
From 2016 to 2017,Hunan Institute of Archaeology excavated 2,275 square meters at Shizhu Area of Changsha Tongguan Kiln Site and unearthed a large number of relics,which provides new materials for understanding the development and cultural significance of Changsha Kiln.This paper focuses on the analysis of the unearthed relics and their historical period from No.10 Pit at Fanjiaping excavation area of Shizhu.Through the comparative study with other archaeological materials,it can be concluded that the development of porcelains with painting design in Changsha Kiln shows distinctive features at different periods.In addition,from the perspectives of painting subjects,techniques and levels,it is argued that porcelains with painting design of Changsha Kiln reached its heyday during Dazhong Period of Tang Dynasty(847-860).Rigorous scientific testing and experiments are needed to support the argument of high-melting glaze painting design of Changsha Kiln by scholars based upon this excavation.
作者
方昭远
Fang Zhaoyuan(Hunan Museum)
出处
《湖南省博物馆馆刊》
2019年第1期432-441,13-15,共13页
Hunan Provincial Museum
