敦煌壁画乐舞造型与服装创意类表演的美学融合

The Aesthetic Fusion of Dunhuang Mural Dance and Fashion Creative Performance

服装创意类表演以研究美学发展规律为主,它既隶属于普通的美学范畴,又遵循艺术的审美特点,同样乐舞造型作为美学研究的一个分支,也具有自己的独立体系,尽管两者在本质上有着较大的差异,但从美学角度两者却具有一定的协同点。为此开展了敦煌壁画乐舞造型与服装创意类表演美学融合的研究,通过将舞蹈造型融入到服装表演中,创造一种服装创意类表演新形式,并在表演舞台上将服装以乐舞的方式展示给观众,形成一幅独具一格的展示画面,整体画面的美观感极强,对舞台表演有画龙点睛的作用,进而实现对以乐舞为载体的服装创意类表演形式的创新。同时,在敦煌壁画乐舞中融入服装创意类表演动作,在演出时应提炼舞蹈中的美育元素,融合服装类创意表演形式,对传统的乐舞造型进行重构,并通过改变舞蹈演出服饰,给予观众不同的体验感,进一步突显出舞蹈造型在舞台中的美感,实现两者美学元素的完美融合。

The creative performance of clothing is based on the study of the law of aesthetic development. It not only belongs to the ordinary aesthetic category, but also follows the aesthetic characteristics of art. Although the two have great differences in nature, they have some synergy in aesthetic point of view. To this end, the study of the integration of Dunhuang murals, music and dance modeling and clothing creative performance aesthetics, through the integration of dance modeling into clothing performance, to create a new form of clothing creative performance, And on the stage of the performance will be displayed to the audience in the form of music and dance, forming a unique The display screen of one grid, the beauty of the whole picture is very strong, the function of finishing the stage performance, and then realize the innovation of the creative performance form of clothing with music and dance as the carrier. At the same time, the creative performance of clothing should be integrated into Dunhuang mural dance, the aesthetic elements of dance should be refined, the creative performance form of clothing should be integrated, and the traditional style of music and dance should be reconstructed.