摘要
龙美术馆(西岸馆)于9月至11月推出“乔治·康多:图像殿堂”展览。该展览是乔治·康多在亚洲迄今为止最大规模个展,由马西米里亚诺·吉奥尼担任策展人,并与知名建筑师安娜贝尔·塞多夫合作布展。展览呈现216件绘画、雕塑及素描作品,聚焦康多自20世纪70年代末以来重要的周期创作与作品系列。康多并没有顺应观念艺术的趋势,而是勇敢逆行,成为70年代以来回归绘画潮流的先锋之一。
From September to November 2021,Long Museum(West Bund)presented the largest solo exhibition by George Condo in Asia,‘The Picture Gallery.’This ambitious presentation brought together 216 paintings,sculptures and drawings made throughout the artist’s career.Curated by Massimiliano Gioni and designed in collaboration with world-renowned architect Annabelle Selldorf,the exhibition focused on some of the most important cycles and bodies of works that had defined Condo’s art since the late 1970 s,when the artist was among the first to herald a critical return to painting after decades of conceptual art practices.
出处
《航空港》
2021年第4期60-75,共16页
Airport Journal
