规矩琅琊传晋法:《来禽馆帖》的有益探索

Standardize Langya Calligraphy and Inherit the Calligraphy Style of Wei-Jin Dynasties:The Useful Exploration of Laiqin Guan Tie

“晚明四家”之一的邢侗在辞官归乡后,历时八年刻成《来禽馆帖》,收录以“二王”书法为主的八种法帖于其中,这是他一生追慕王书的证明。《来禽馆帖》的面世,使邢侗藏刻的《澄清堂帖》受到世人应有的重视,在书坛引起强烈反响。邢侗在刻帖时遵循原貌,为“二王”书风正本清源,《来禽馆帖》因而成为晚明文人私家刻帖的典范。此后,北方文人雅士刊刻集帖之风炽盛,他们为后世留下了丰厚的文化宝藏。

After he resign to return home,Xing Tong,one of the“Four Calligraphers of the Late Ming Dynasty”,spent eight years carving Laiqin Guan Tie.This volume mainly includes eight kinds of the masterpieces of Wang Xizhi and Wang Xianzhi.This was the proof that he admired Wang Xizhi for the whole life.The publication of Laiqin Guan Tie brought the Chengqing Tang Tie engraved by Xing Tong to the world's attention and caused a strong response in the calligraphy circles.Xing Tong followed the original appearance when engraving the papers,which provided a clear perspective for the calligraphy style of Wang Xizhi and Wang Xianzhi.Laiqin Guan Tie thus became a model for private calligraphy by literati in the late Ming Dynasty.After that,northern literati began to publish collections of manuscripts and left rich cultural treasures for succeeding generations.