安徽原创歌剧《包青天》叙事手法与文化张力

On the Narrative Skill and Cultural Tension of Anhui Original Opera Bao Qingtian

安徽首部原创歌剧《包青天》以历史真实记载和俗文学故事为建构基础,以包拯审判高官之子和侄子的故事为主线,从儒家文化、律法制度、个人情感三个维度诠释青天形象。单场侧重宣叙调交代故事情节,双场侧重咏叹调深描人物思想和情感。该剧体现出同构、融合与多维的特点。其一,故事情节体现出戏剧与史实之间的文学叙事张力;其二,西方歌剧框架内巧妙融入黄梅戏、宋代词调音乐和民歌,体现出多元融合的艺术张力;其三,重唱与合唱技术运用,体现出人物之间的矛盾冲突以及同一人物复杂情感的多维音乐叙事张力。

Bao Qingtian,an Anhui original opera,is based on the historical records and folk stories.This opera,taking the trial of the son and nephew of a high-ranking official as the storyline,illustrates Bao Zheng’s image of integrity and selflessness in terms of the Confucian culture,legal system and the personal emotion.The single scene focuses on the storyline,while the double scene places emphasis on the thoughts and emotions of the characters.This opera embodies the features of isomorphism,fusion and multi dimensions.First,it reflects the narrative tension between the drama and the historical fact.Second,the western opera is integrated with Huangmei Opera,Song poetry and folk songs,which shows the artistic tension of diverse integration.Third,the application of ensemble and chorus reflects the contradictions between the characters and the multi-dimensional music narrative tension of the complex emotions of the same character.