摘要
萧龙士作为江淮大写意画派代表人物,书名为画名所掩。其本着品艺兼修、转益多师的书学观念,形成了朴厚雄浑、去媚求拙的书法风格。存世书法作品可分为画作题跋与纯书法创作两大类。在笔法、墨法、结构和章法等方面均有所创新,形成了自身风格。萧龙士先生的书学思想及书学成就对后世欧阳龙、郑正等画家产生了深远影响。
Xiao Longshi,as a representative figure of Jianghuai Freehand Painting school,has his calligraphy title concealed by his painting reputation.He formed a simple and vigorous calligraphy style,which quit obsequiousness and sought clumsiness.His calligraphy works in existence can be divided into two categories:painting inscriptions and pure calligraphy creation.In brushwork,ink,structure and composition,etc.,they have innovated and formed their own style.Mr.Xiao Longshi’s calligraphic thoughts and achievements had a profound influence on later painters such as Ouyang Long and Zheng Zheng.
作者
乔龙泉
QIAO Longquan(School of Fine Arts and Design,Suzhou University,Suzhou 234000,Anhui)
出处
《阜阳师范大学学报(社会科学版)》
2023年第5期147-156,共10页
Journal of Fuyang Normal University:Social Science
基金
安徽省教育厅高校人文社会科学研究重点项目“安徽省‘三地一区两中心’建设中皖北传统绘画艺术的可持续发展研究——以萧县为例”(SK2021A0710)。
关键词
萧龙士
品艺兼修
朴厚雄浑
去媚求拙
转益多师
Xiao Longshi
art and taste
simple and vigorous
quit obsequiousness and seek clumsiness
benefits from multiple sources