摘要
电影视觉艺术是帕慕克文学作品的重要书写内容。帕慕克指出,对于当代个人身份认同而言,电影是重要的模仿对象,是构建自我意识的“他者”,而在土耳其这样在现代化进程中处于弱势的国家,大量引进的西方电影,对本土文化造成巨大破坏,同时也引发了身份认同的困惑,给人民的生活带来诸多不幸。此外,帕慕克通过对土耳其七八十年代电影产业景象的描写,用文字收藏了属于土耳其人民(尤其是伊斯坦布尔市居民)的集体记忆。帕慕克在生活和工作中与电影视觉艺术的接触,影响了他“视觉性”的文学创作理念和对虚构与真实之间的认识,也对他的写作语言和方式产生一定影响。
Film visual art is an important part in Orhan Pamuk’s literary writings.In such writing,he contends that film,as an“Other”in self-consciousness construction,is the key target of imitation for modern individual identification.In countries like Turkey,which are disadvantaged in modernization,people model themselves on those western movies.It has brought huge havoc to the native culture and unhappiness to people.Meanwhile,the related narration about Turkish film industry is subject to Pamuk’s commission to memory writing.The description about film industry in modern Turkey helps Pamuk to restore Turkish collective memory with words.In addition,Pamuk’s contact with movies and works in his daily life has influenced his opinion of“visual writing”and his understanding of the difference between fiction and nonfiction,and also left some traces in his language and styles.
作者
朱春发
ZHU Chunfa(School of International communications,Zhejiang University of Communications,Hangzhou 310008,P.R.China)
出处
《外国语言文学》
2023年第6期70-79,131,共11页
Foreign Language and Literature Studies
基金
教育部人文社会科学研究项目“共同体视域下古尔纳小说中的难民书写研究”(22YJA752028)。
