摘要
在全球流动语境下,不少作家开始关注个体或群体的跨语言、跨文化或跨种族体验,而跨文化作品中的异域想象与异域书写也日益成为研究焦点。本文从跨文化视角论述法国作家柯斯迪昂·卡尔桑作品中的异域书写,通过分析其多样化的异域之旅及跨文化创作,发现其作品中不仅浸染着鲜明的跨文化体验观,还融入了大量先期阅读形成的他者想象。这些他者想象催生了跨文化体验,而其跨文化体验又反过来成为检验异域想象真实性的一种方式。
In the context of global mobility,an increasing number of writers have paid attention to the trans-linguistic,transcultural or trans-ethnic experience of individuals or groups.The focus of academic researchis put on exotic imagination and writing in transcultural works.Taking French writer Christian Garcin as an example,this paper discusses exotic writing in his works from a transcultural perspective.From the analysis of his diversified exotic travels and transcultural creations,it is found that his works are not only immersed in a distinct view of transcultural experience,but also abounds with theexotic imagination of Others formed by previous reading.The exotic imagination of Others gives birth to his transcultural experience,which in turn becomes a way to test the authenticity of exotic imaginations.
作者
黄春丽
HUANG Chunli(School of Foreign Languages,Hubei Polytechnic University,Huangshi 435003,P.R.China)
出处
《外国语言文学》
2023年第1期46-57,134,共13页
Foreign Language and Literature Studies
基金
湖北理工学院人才引进项目“柯斯迪昂·卡尔桑的作品与翻译研究”(17xjr01R)