日本国策文学在海外的蔓延和变异——以沦陷期日文杂志《上海文学》为中心

The Spread and Variation of Japanese National Policy Literature abroad——Focused on The Shanghai Literature,A Japanese Magazine in the Period of the Occupation

在日本占领上海时期诞生的日文杂志《上海文学》,从根本上来说,是日本国策文学的产物,是战时日本所谓对海外“文化工作”的一部分,它的主旋律是对“大东亚战争”的鼓吹。但与日本国内的国策文学不同的是,它的上海地域色彩,以及有部分中国文人的参与。内山完造是这一文学杂志的核心之一,因而在所谓的主旋律之外,其作品表现出了各种异色甚至多元的倾向。共发行六期的《上海文学》,是研究这一时期日本海外国策文学、沦陷期的上海日文文坛及变异的中日文学关系的重要日文文献。本文的工作主要聚焦这份湮没已久的日文杂志的梳理,在揭出其文献价值的同时,依据原始文献,对其中表现出来的日本海外国策文学的底色和异色进行评析,以此来探讨这一时期海外日本文人对于这场战争和中日关系的认知。

The Shanghai Literature,a Japanese magazine born during the Japanese occupation of Shanghai,is fundamentally the product of Japanese national policy literature and a part of Japan’s so-called“cultural work”overseas during the wartime.Its main theme is the advocacy of the“Greater East Asian War.”However,different from the national policy literature in Japan,it has the local color of Shanghai and the participation of some Chinese literati.Uchiyama Kanzo is one of the core of this literary magazine,so in addition to the so-called theme,his works show a variety of heterochromatic and even diversified tendencies.The Shanghai Literature,published in five issues,is an important Japanese literature for the study of Japan’s overseas national policy literature during this period,the Japanese literary world in Shanghai during the occupation period,and the variation of Sino-Japanese literary relations.The contribution of this paper is that for the annihilation of Japanese magazine,combing its literature value at the same time,according to the original literature,to The Shanghai Literature shows the impression of Japanese foreign policy literature and different colors for a thorough evaluation,in order to explore overseas Japanese scholars during this period of the war and the Sino-Japanese relations.