中唐范传正再编李白集及其流传推考

The Recompilation of Li Bai’s Collection by Fan Chuanzheng in the Middle Tang Dynasty and Its Circulation

范传正《唐左拾遗翰林学士李公新墓碑并序》述及搜集李白遗作编为二十卷之情形。究其文意,再编李白集并非仅凭范氏一己之力,当得益于幕僚宾客之助。幕下鲍溶多有效仿李白"古风"之作,是目前所见"古风"产生影响的最早例证,此当与范编本的成书面貌有关。从《文苑英华》与李集所存范碑的异文及唐宋士人的阅读线索来看,范编本可能有多种流传轨迹:此集既入藏秘府,与《草堂集》形成合编本,又在以当涂为主的地区有所流传与增改,当涂刊本中或保留了范编本的部分文本面貌。

The fact that Fan Chuanzheng had re-compiled twenty volumes of Li Bai’s collected works was recorded in his article"The new tablet inscription."The compilation was not carried out by Fan himself but he was assisted by his aides and staff.Bao Rong,one of Fan’s aides,wrote poems following Li Bai’s Gufeng style.It’s the earliest example of the influence of Gufeng,and might have relation with the compilation.According to the varied texts of"The new tablet inscription"in Wen yuan ying hua and in Li Bai’s collection,as well as the reading records of the scholars in the Tang and Song dynasties,Fan’s compiled collection might have various circulation tracks and later development.It was collected into the National Library of Tang,and combined with Cao Tang ji into a new edition.It was also circulated and revised in most of the southern regions,especially in Dangtu.This part of text might have been retained in the Dangtu edition.