翁方纲东坡画像的鉴藏研究

The Collection and Study of Dongpo's Portraits by Weng Fanggang

翁方纲作为清代乾嘉时期著名的金石学家,曾收藏并考订过二十余件东坡画像。本文通过梳理翁方纲自撰的《复初斋集》等文献资料,呈现翁方纲对宋赵孟坚画砚背《笠屐像》、宋李公麟画《金山像》、宋李公麟画《按藤杖坐磐石像》与明朱之蕃画《东坡笠屐图》四种东坡画像的研究,阐明各画本的创作时间及递藏经历,同时探讨其背后的文化含义。本文还探究翁方纲在“寿苏会”等交游活动中所扮演的角色,考论翁氏是如何在雅集中推动东坡画像的复制与传播,进而引领清代的“崇苏”文化思潮的。

As a famous epigrapher during the Qian-jia period of the Qing Dynasty.Weng Fanggang collected,examined and corrected over 20 pieces of Portraits of Su Dongpo.By analyzing Weng Fanggang's Fu Chu Zhai Ji and other original literature documents,this paper describes Weng Fanggang's genealogical studies of four portraits,i.e.Song Dynasty's Zhao Mengjian's Liji Xiang painting carved on the back of an inkstone,Song Dynasty's Li Gonglin's Jinshan Xiang painting,Li Gonglin's Painting of Dongpo Holding a Bamboo Stick and Sitting on a Rock,Ming Dynasty's Zhu Zhifan's Dongpo Liji Painting.The dates of composition and collection history of various editions of these portraits have been clarified,while their cultural meanings behind them have also been explored.In addition,this paper also pays attention to the role that Weng Fanggang played in social activities such as the birthday commemorations of Su Dongpo,examines how he promoted the reproducing and spreading of portraits of Dongpo in literati gatherings,which led to the cultural trend of“Dongpo worship”in the Qing Dynasty.