摘要
董逌生平不显,《宋史》无传,唯靖康之时受张邦昌之命抚谕太学生一事流传甚广,受到广泛批评。后以金石碑帖考据闻名于世与黄伯思并称,以至后世有“书画中董狐”之名。本文以后世对董逌的评述为中心,考论董逌“声名”变化的轨迹,并以《广川书跋》《广川画跋》版本为考察对象,观察在历史中文本传播对于董逌“声名”的形成与建构。
Although there is no biography of DongYou in History of the Song Dynasty,his role as an instructor to Taixue students under Zhang Bangchang's order during Jingkang Event has been widely circulated and criticized.He was best known in textual study on epigraphy and inscriptions together with Huang Bosi and was later referred to as“Dong Hu in calligraphy and painting”.This paper primarily focuses on the posthumous evaluations of Dong You,tracing the historical process of his changing“reputation”.Furthermore,by analyzing the editions of Guangchuan Shuba and Guangchuan Huaba,this study investigates the formation and construction of Dong You's“reputation”though historical textual spreading.
关键词
董逌
“声名”
文本
形塑
Dong You
“reputation”
text
construction
