论拉康的文化观——以图示L中的小他者为切入口

On Lacan's Cultural View:From the Perspective of“the other”in Schema L

小他者是一个经常纠缠不清的概念,它构成了拉康图示L中想象轴上一个至关重要的动力源。在充分审视语言之墙的前提下,通过考察和勘定对象a与剩余快感的等量代换关系以及剩余快感与快感的递进关系,可以判断,小他者是一个介于剩余快感与快感之间的变量,它是体现为象征秩序之大他者的位置投射。当主体与小他者产生认同并构建自我,想象认同由此形成,并以一种富有弹性的方式作用于象征认同,但又受制于后者。在图示L中,拉康对想象轴与象征轴之辩证关系的认知架构支撑了其文化观的基本逻辑,并为新时代下精神分析学更为有效地介入文学和文化空间提供了有益的理论策略和路径。

As an entangled concept,“the other”constitutes a vital source of power on the imaginary axis of Lacan's Schema L.On the basis of the wall of language,by examining the relationship between objet petit a,plus-de-jouir and Jouissance,it can be seen that“the other”,as the projectory position of“the other”embodied as the symbolic order,is a variable between plus-de-jouir and Jouissance.When the subject identifies with the other and constructs ego,the imaginary axis,subject to the symbolic order,is constructed and acts on the symbolic axis in a flexible way.In Schema L,Lacan's cognitive structure of the dialectical relationship between the imaginary axis and the symbolic axis supports the basic logic of his cultural view,and provides a more effective way for psychoanalysis'intervening in the literary and cultural space in the new era.