摘要
本文从电影音乐创作出发,思考影像创作与音乐表达的对应关系,并对陈力导演《古田军号》的视觉表达及内蕴进行深入探析,从影片音乐创作的前期构想及后期创作的微观与宏观角度,阐述电影音乐对电影作品的思想性及艺术性表达。
This essay examine the counterpoint relationship between music composition and visual design in filmmaking, and further investigates the visual expression and implication in The Bugle from Gutian. From the macro and micro perspectives of early conception and actual composition, it elaborates the artistic expression of thoughts of film music.
出处
《电影艺术》
CSSCI
北大核心
2020年第1期152-156,共5页
Film Art
关键词
电影音乐创作
导演视觉构思
《古田军号》
film music composition
cinematic visual design
The Bugle from Gutian
