图像分析与影像释义的视觉转向——中国早期电影的跨学科研究策略

The Visual Transformation of Picture Analysis and Image Interpretation——An Interdisciplinary Research Strategy of Early Chinese Films

在跨学科的研究领域内,借助图像学的理论与方法,电影史的写作正趋向一种以图像、影像为基础,以两者之间互联、互动、互映为主旨的新的语言范式。从图像与影像关系角度展开的视觉文化研究,正显现出在跨学科语境中思考中国电影、中国绘画与视觉文化的研究新路径。引入跨学科研究策略,有意重新建立对于中国电影影像的读解方式。以影像的文化研究为途径,立足于中国早期电影“电影特性”的考察,挖掘新旧文化交融之中具有“新艺术意味”的影像特征,审视或解决关于中国电影从影像维度的本体问题。

In the field of interdisciplinary research,the writing of film history is trending towards a new language paradigm based on picture and image,with the connection and interaction between the two as the main idea and the use of the theory and method of iconology.The research of visual culture from the perspective of the relationship between picture and image is a new way to study Chinese films,Chinese painting,and visual culture in an interdisciplinary context.The introduction of an interdisciplinary research strategy is imperative to the reestablishment of the interpretation method of Chinese filmic images.Based on the investigation of the"film characteristics"of Chinese early films,this study excavates the image characteristics with"new art meaning,"blends old and new cultures,and examines or solves the central problem of Chinese films in the image dimensions.