香港电影表演的身体“错置”及其文化分析(1997年至今)

The “Body Mismatching” in Performance in Hong Kong Films:A Cultural Analysis(1997-Present)

20世纪末至今的香港电影,留存和再现了重大历史节点下香港人的艺术形象和文化人格。这一阶段的香港电影表演中,可以看到相当数量的身体的错置现象,即电影演员表演呈现出来的身体,有意地不去符合角色的客观设定或人物关系。本文总结了性别错置、年龄错置和身体程式错置这三类主要形态,并进一步分析电影主体在整合自我、建构自我的过程中所遭遇的困境。

Hong Kong films made since the late twentieth century have preserved and represented the artistic images and cultural personalities of Hong Kongers at this important historical juncture.Cinematic performances in Hong Kong films in this period feature quite a large number of“body mismatching,”that is,the bodies of performers intentionally fail to match the character setups or character relations in the films.This article summarizes three features:gender mispositioning,age mismatching,and bodily mismatching and further analyzes the predicaments faced by filmmakers to integrate the subjectivities of the films and construct the selfhoods.