摘要
法国电影评论家安德烈·巴赞于1958年发表了三篇关于《西伯利亚来信》(Lettre de Sibérie,1957)的评论文章。他认为,克里斯·马克的作品是"一篇通过电影来记录的随笔",影片中,影像与画外评论声形成了一种辩证的关系。此类观点在作者逝世后引发了电影理论家对"电影-随笔"(film-essai)1的一系列思考,如电影中主观性,以及画外音与影像形成的横向蒙太奇等问题。这些思考对马克影片的研究同样有着诸多的启示作用。
French film critic AndréBazin published three review articles on Letter from Siberia in 1958.He believes that Chris Marker’s work is"an essay recorded through a movie"in which the images and the off-screen commentaries form a dialectical relationship.Such viewpoints have caused a series of reflections by film theorists on"film-essai"after the death of the author,such as subjectivity in movies and horizontal montages of voiceovers and images.These thoughts also have many enlightening effects on the studies of Marker’s films.
