摘要
抗日战争上海沦陷时期,工商业者汤蒂因与越剧演员袁雪芬以广播电台为媒介相识,经由电台广告合作结交为友。在都市社会结构和性别意识的转型过程中,二人以“五四”前后发酵的人格独立话语为认同底色,共同踏入职业妇女一途追寻自身主体价值,进而产生基于女性社会身份的情感共鸣。随着女子越剧改革的推进,袁雪芬与新越剧的左翼文化网络悄然搭建,蕴含其中的政治资源跨越1949年持续发挥影响,亦对汤蒂因的事业前途产生助益。借用社会经济学中的“网络”视角,以职业女性身份认同为情感纽带的社会网络,在传统网络的缔结要素之外找到新的支持系统,指向一种具有普遍意义的现代社会情感关系。
Duting the fall of Shanghai in anti-Japanese War,Tang Diyin,a businesswoman,met Yue Opera actress Yuan Xuefen through radio media and became friends through the cooperation of radio advertising.In the process of transformation of urban social structure and gender consciousness,the two of them took the discourse of personality independent fermented around the.May 4th Movement as the basis of their identity,and pursue their own subjective value as career women,thus creating an emotional resonance based on women's social identity.With the advancement of the reform of Yue opera,the left-wing cultural network of Yuan Xuefen and the new Yue opera was built.The political resources contained therein continued to exert.influence across 1949,which also benefitted Tang Diyin's career.Drawing on the perspective of“network”in socioeconomics,the social network,which uses career women's friendship as an emotional bond,finds a new support system beyond the traditional network elements and points to to a modern social emotional relationship with universal significance.
出处
《都市文化研究》
2023年第1期196-212,共17页
Urban Cultural Studies
关键词
汤蒂因
袁雪芬
职业女性
女性情谊
社会网络
Tang Diyin
Yuan Xuefen
Career Women
Women's Friendship
Social Network