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电影“城市性”视域下横店的文化面孔

Cultural Faces of Heng Dian on"Film's Urbanity"angle
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摘要 电影"城市性"理论外延极广,对研究城市与电影之间的双向互动关系,具有启发性的方法论意义。横店的影视产业发展已走过二十余年,形成了独特的文化面孔。影视产业深刻地改变了横店的物理空间,将其塑造成了一个以密集的仿古建筑群为主体的"蔓延的异托邦"。从到影视拍摄基地,到影视旅游主题公园,再到影视产业实验区,横店影视产业朝着"华莱坞"的定位不断深化发展。同时,横店作为一个文化空间,也被看作是一个"逐梦之地",在电影中被搬演。 The theory of film's urbanity is extensive.The theory is revelatory of study be-tween city and film.Film and television industry of Heng Dian have developed more than twen-ty years,formed special cultural faces.Film and television industry have changed Heng Dian's physical space deeply,made it become a"widespread Heterotopia"with intensive antique buildings.From film and television shooting base,to film and television theme park,to experi-mental area of film and television industry,Heng Dian developing towards the"Huallywood"continuously.At the same time,Heng Dian always as a"Dreamland"in film.
作者 周达祎
出处 《都市文化研究》 2021年第2期268-279,共12页 Urban Cultural Studies
关键词 电影“城市性” 横店影视城 影视旅游 影视产业 film's urbanity Heng Dian World Studios film and television tourism film and television industry
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