混现代的表层与深层涵义——兼评王建疆先生的“别现代理论”

The Surface and Deep Significances of the Mixed-modern——Remarks on Wang Jianjiang’s Bie-modern Theory

中国当代艺术文化中的"混现代"现象,具有表层与深层的涵义。其表层涵义意味着它是集前现代性、现代性、后现代性、另现代性的混杂融合,其深层涵义意味着种种关系的混杂。笔者利用自己创建的"世界关系美学"理论,分析以上海双年展为代表的混现代社会出现的混乱的审美世界图景,批判性地反思了中国社会的现代性转型所遭遇的时代困境。由于王建疆先生以"别现代"来称谓这种"混现代"的表层涵义,文章进而评述了他的"别现代理论"的优劣。

The concept of the Mixed-modern in the contemporary Chinese art and culture is characteristic of the surface and deep significances.Its surface significance means the mingling of pre-modernity,modernity,post-modernity,alter-modernity,while the deep significance means the confusion of all kinds of relationships described in world relational Aesthetics.By the theory of the world relational Aesthetics suggested by the author,this paper analyses the disordered aesthetic world-picture appeared in the Chinese mixed-modern society which is exampled by Shanghai Biennials,and criticizes the perplexes of Chinese society’s transformation era into modern one.Because the surface significance of the mixed-modem is named as the Bie-modern by Wang Jianjiang,it also reviews the advantages and disadvantages of his Biemodern theory.