上海文化生活出版社场域下现代话剧民族化研究

Research on the nationalization of modern drama in the field of Shanghai Culture and Life Publishing House

1930年代前后,中国话剧完成了从舶来艺术到本土文种的艰难变身,其重要表现之一即是民族化形态的建构。以"补证据论"为代表的话剧艺术理论争鸣增进了话剧界对建构民族化的体认,推动话剧创作在主题、题材、艺术形式等方面沿循着回归本土和面向现实这两种路径开展积极的探索。1935年在上海创建的文化生活出版社对于中国话剧的成长和发展具有特别的意义,它对青年话剧家的培育和扶植,对话剧艺术本体观念的倡导和引领,对人道主义和写实主义话剧文学创作的深化和升举,形成了重要的出版文化力量,由其出版的一系列话剧作品集中成为民族化实验的典范。因而,文化生活出版既为现代话剧的民族化转轨进路搭建了直接的平台,反过来也生成了考察中国话剧发展变化不可忽视的空间场域。

Around 1930’s,Chinese drama completed the difficult transformation from foreign art to native language One of its important manifestations is the construction of nationalization.The contention of drama art theory represented by supplementary theory has enhanced the understanding of the construction of nationalization in the drama circle,and promoted the drama creation to carry out active exploration along the two paths of returning to the native land and facing the reality in the aspects of theme and artistic form.The Culture and Life Publishing House,founded in Shanghai in 1935,is of special significance to the growth and development of Chinese drama.It has formed an important publishing cultural force by cultivating and supporting young dramatists,advocating and leading the concept of drama art noumenon,and deepening and upgrading the literary creation of humanitarianism and realism drama It is a model of nationalization experiment Therefore,the publication of Shanghai Culture and Life Publishing House has not only built a direct platform for the nationalization of modern drama,but also created a space field that can not be ignored to investigate the development and change of Chinese drama.