五四初期都市女性生存的镜像现实与视觉化呈现——郑正秋与中国首份妇女画报《解放画报》

Mirror Reality and Visualization of Urban Women’s Survival in the Early Period of the May Fourth Movement:Zheng Zhengqiu and China’s First Women’s Pictorial Liberation Pictorial

五四初期的上海,以改造社会为己任的知识分子郑正秋,创办了中国首份妇女画报《解放画报》,以其个人的生活经历、城市文化体验引领都市传媒文化中男性期许下的女性再造实践。从郑正秋的家庭伦理观和《解放画报》的立场及结构表述上,可以观察近代妇女解放的议题在五四初期如何受制于社会秩序重建过程中男性引领的局限,以及坐标于女性出版场域革新的《解放画报》如何以画报的形态初步建立起一种现代性的图文双轨叙事模式,缝合起前现代与现代迭合点上复杂的文化性别逻辑,记录旧妇女—新女性转化节点上的历史经验和生活实况,奠基20世纪20、30年代妇女画报的出版范式。

In the early days of the May Fourth Movement,Zheng Zhengqiu,an intellectual who took the responsibility of transforming society,founded China’s first women’s pictorial,Liberation Pictorial,to lead the re-creation of women in urban media culture with his personal life experience and urban cultural experience.From Zheng Zhengqiu’s family view and the position and structure of Liberation Pictorial,it is possible to observe how the issue of modern women’s liberation was limited by the maleled limitation in the process of social order reconstruction in the early period of the May Fourth Movement,and the revolutions of the female publishing field.How does Liberation Pictorial initially establish a modern graphic and dual-track narrative mode in the form of pictorials,stitching the complex cultural gender logic on the pre-modern and modern superposition points,recording historical experience and live life at the old women-new female transformation node,laying the foundation for the publication paradigm of women’s pictorials in the 1920 s and 1930 s.