中国人物画创作中的布局形式及空间意识

随着人们生活水平的提高,人们对文化创作产生的广泛的兴趣,中国画作为创作经历较长的产物,深受人们的喜爱。在中国画中,人物画的创作对布局、空间意识等有较高的要求,通过对人物画进行布局和空间沟通,进行艺术的表达,不仅体现了创作者对客观事物的认识过程,也体现了创作者对艺术创作的理解程度和水平。中国画发展至今,已经将传统的艺术创作形式打破,将现代审美等融入进去,这让中国人物画的创作进入了一个新的领域。在中国人物画的创作中,布局形式和空间意识有密切的关系,是画作成功的关键,文章就针对中国人物画创作中的布局形式和空间意识进行研究,将中国人物画的创作过程呈现在人们面前,让人们更加深刻的了解中人物画,了解中国艺术文化创作。

With the improvement of people’s living standards,people have a wide range of interest in cultural creation,Chinese painting as a product of long creation experience,deeply loved by people.In Chinese painting,the creation of figure painting has higher requirements on the layout and spatial awareness,etc.Through the layout and spatial communication of figure painting,artistic expression not only reflects the creator’s understanding of objective things,but also reflects the creator’s understanding and level of artistic creation.Up to now,Chinese painting has broken the traditional artistic creation and integrated modern aesthetics into it,which has brought the creation of Chinese figure painting into a new field.With the creation of Chinese figure painting,the layout form and spatial consciousness has a close relationship,is a key to the success of painting,this article in view of the Chinese figure painting creation in the form of layout and space consciousness,will the Chinese figure painting creation process is presented in front of people,make people more profound understanding of the figure painting,understand Chinese art culture creation.