摘要
以民间说书为底本成书的《水浒传》,经过叙书文人在再度创作后,"我注水浒"的痕迹更加突出。粗豪的梁山好汉性格逐渐雅化,礼教纲常观念变重。英雄们逐渐变得务实、妥协、重利甚至远离是非。由于找不到出路,求仙入道与因果报应观点占了上风。这也是市民化大环境下人物应有的性格和表现。
The Water Margin, written on the basis of folk storytelling, has become more prominent after the re-creation of the narrators. The bold Liangshan heroes gradually become elegant, and the common concept of the ritual creed has become heavier. Heroes have gradually become realistic, compromised, profitable and far away from right and wrong. Because there is no way out, the view of seeking immortality and retribution prevails. This is also the character and performance of the characters in the civilized environment.
基金
课题编号:JSLY2016022,课题名称:高职语文课堂情境教学方法的研究.
关键词
我注水浒
雅化
礼教纲常
求仙入道与因果报应
I water margin
refinement
ritual and ethical principles
seeking immortality into taoism and karma