“无形的剧场”——范勃访谈

The Formless Theater——Interview with Fan Bo

展览"无形的剧场"是范勃继关于"药"的实验场项目之后,进一步延展其观念,将"药"与疗愈,以及可视和不可视的感知的主题置入更宏大的实体空间中的沉浸式实验。展览由四组环环相扣的作品组成,除了给予观众视觉上不一般的体验,范勃的艺术思考也由视觉、触觉、听觉的交叠与转换,延展到有关体感、心理疗愈以及弥散的隐性气氛的观照,从而建构起另一幅更为整体和有力量的感知图景。今年席卷全球的疫情成为了不少艺术家的创作题材,范勃也不例外,"体温"和"隔离"成为今年如影相随的关键词,造成了与以往日常生活经验不同的恐惧和臆想。

The exhibition"The Formless Theater"is the extension of the concept of Fan Bo after the experiment project related to"drug",which has put"drug"and curing,the visible and invisible themes into the immersive experiment in the grand physical space.Composing of four groups of connected works,this exhibition has created a unique visual effect for the audiences.Thus,Fan Bo’s artistic thinking has extended to the contemplation about somatosensory dimension,mental therapy and the dispersive invisible atmosphere,from the integration and transformation of vision,touching and hearing.The spreading of COVID-19 of this year has become the creative theme for numerous artists,including Fan Bo,with"body temperature"and"isolation"becoming the keywords,bringing about fears and disorderly conjectures.