政坛与画坛:近代士绅杨逸的双重场域

Politics and Painting Circle: the Dual Fields of Modern Gentry Yang Yi

20世纪上半叶的沪上画坛正处于艺术生态的重构阶段,画家杨逸凭借其在政艺两界的地位对沪上画坛产生了重要影响。通观杨逸的生平可以发现,其艺术活动的推进与政治身份的变化密切相关。而杨逸于“沪上画坛”的地位和角色也历经了由边缘到中心,由“参与者”到“构建者”的转变过程。因而政坛与画坛的双重场域,是解读杨逸于近代社会身份转变与艺术影响力消长的两条重要线索。

In the first half of the 20 th century,Shanghai painting circle was in the stage of reconstruction of the art ecology,and the painter Yang Yi,with his position in the political and artistic circles,had an important impact on Shanghai painting circle at this time.Looking through Yang Yi’s life,we can find that the advancement of his artistic activities is closely related to the change of political identity.His status and role in Shanghai painting world have also undergone a transformation process from the edge to the center and from a "participant" to a "builder".Therefore,the dual fields of politics and painting are two important clues to interpret Yang Yi’s transformation of social identity and the erosion of artistic influence in modern times.