摘要
上海市历史博物馆藏有犹太画家白绿黑的版画集《黄包车》一册。该书的出版,是日据时期上海文化环境下的典型案例。本文考辨其出版背景、出版相关人员、出版原委及宣传模式,同时兼析白绿黑在上海时期创作的木刻版画作品。通过考察这一案例,为研究犹太难民在沪期间的活动再辟视角,为解读日伪时期文艺作品的双重意义提供启示。
Jewish painter David Bloch’s prints Rickshaw collected in Shanghai History Museum is a typical case in Shanghai’s cultural context during the period of Japanese occupation.This paper surveys the background,relevant staff,all the details of its publication and its propaganda model,as well as analyzes Bloch’s woodcut prints created in Shanghai.The survey provides a new prospective for studying Jewish refugees’ activities during their stay in Shanghai and also enlightenments for interpreting the double significance of the literary works during the period of Japanese occupation.
出处
《都会遗踪》
2022年第1期74-94,共21页
Cultural Heritage of Cities