上海犹太流亡诗歌中的“陌生人”

The Stranger in the Jewish Exiles’Poems in Shanghai

近年来,上海犹太难民流亡上海时的文学创作开始受到学界重视。本文聚焦当时流亡者创作的诗歌,运用齐格蒙特·鲍曼提出的"陌生人"理论分析这些上海犹太流亡诗歌中所体现出的犹太流亡者身份表征。这些流亡者作为陌生人被欧洲驱离,又以陌生人的身份进入上海,始终受困于鲍曼笔下对大屠杀有着"选择亲和力"的现代性所营造的中间性困境中,由此反映出陌生人身份与现代性之间的张力。

In recent years,the literary creation by the Jewish refugees during their exile in Shanghai began to obtain academic attention.This essay focuses on the poems created by the then Jewish exiles,using Zygmunt Bauman’s theory of“stranger”to analyze the representation of their identity reflected in these poems.Driven from Europe as strangers and fled to Shanghai again as strangers,these exiles were trapped in the intermediate dilemma created by Bauman’s modernity with selective affinity for holocaust all the time,reflecting the tension between the identity of stranger and modernity.