摘要
书画是松江古代文化的精粹,也是松江古代文化享誉全国的杰出标志。历史上以书法驰名天下的松江人就不在少数,而松江区博物馆就收藏有许多松江名人的书画真迹,其中不乏明代董其昌、清代沈荃、沈宗敬,以及王鸿绪、张照等"云间书派"代表人物的作品。艺术碑廊中有堪称"第一章草"的明刻《急就章碑》,元代《赵松雪法书》,明代董其昌临怀素《自叙帖》石刻,清康熙临董书碑,清代沈荃《落纸云烟帖》石刻等,无一不是书家推崇的法书摹本。本文试以从一幅馆藏的沈荃肖像画着手,引出沈荃传授康熙帝书法,引领全国以董书为尊的风潮,传承和延续董书笔意风格的角度,阐述沈荃对于"云间书派"再次崛起所起到的关键作用。
Painting and calligraphy is the essence and also the symbol of the noted ancient culture of Songjiang. Quite a few Songjiang natives are famous for their painting and calligraphy and many of their authentic works are collected in Songjiang Museum including those of Dong Qichang in the Ming Dynasty, Shen Quan, Shen Zongjing,Wang Hongxu and Zhang Zhao in the Qing Dynasty. All the works exhibited in its art gallery of stone inscription are recommended by calligraphers. Starting from a portrait of Shen Quan, this essay introduces that Shen taught Emperor Kangxi calligraphy, led the trend of worshiping Dong Qichang’s calligraphy in the nationwide, and inherited Dong’s style, elaborating his important role in the re-emergence of Yunjian school calligraphy.
出处
《都会遗踪》
2020年第3期79-95,共17页
Cultural Heritage of Cities
