论明代的题画唱和

On the Paintings Echoing with Poems in the Ming Dynasty

明代题画唱和与明代绘画的发展几乎同步,可分为三个阶段:洪武至弘治年间为第一阶段,正德至隆庆年间为第二阶段,万历至崇祯年间为第三阶段。明代题画唱和具有群体性和地域性特征。其中,京城官员的题画唱和台阁色彩明显,多北地风景;吴中文人的题画唱和生活气息浓厚,多江南风物。同时,明代题画唱和具有画与诗相互生成的关系,一方面题画唱和孕育唱和诗集,另一方面唱和活动造就题画唱和。研究明代题画唱和具有多重意义:题画唱和作品既有文献辑佚的作用,又有书画鉴赏的价值,它还是变相的小型"唱和诗集",足以扩大和补充明代唱和文学的研究。

The development of the paintings echoing with poems in the Ming Dynasty was almost synchronized with the development of paintings.It can be divided into three stages:the first stage is from the Hongwu Period to Hongzhi Period,the second is from the Zhengde to Longqing Period,and the third is from the Wanli to Chongzhen Period.The paintings echoing with poems in the Ming Dynasty had the collective and regional characteristics.Among them,The paintings echoing with poems by the officials in the capital had an obvious eye-catching use of colors,with many northern sceneries presented;the Wuzhong literati’s paintings echoing with poems had a strong every-day-life atmosphere,mainly with sceneries south of the Yangtze River.At the same time,the paintings echoing with poems in the Ming Dynasty reflected the mutually blooming relationship between piantings and poems.On one hand,it gave birth to the collection of poems,and on the other hand,it helped with the creation of paintings.It is of multiple significances to study the paintings echoing with poems in the Ming Dynasty:both paintings and peoms function as literary documents,and they also have the value of appreciation in poems and paintings.In addition,they are the miniature of collections of poems with echoing paintings,helping with the extention and supplement for literary works with echoing piantings.