摘要
剪纸是中国民间美术的母体性艺术。研究旨在对民间剪纸技艺的构成进行梳理与整合,把握其运行结构,为相关手工艺知识的构建提供一定的本体模型参考。文章引入技术形态论,从微观技艺构成与宏观技艺运行两方面对民间剪纸技艺体系进行梳理与分析,抓取共性基因与个性特色,提取剪纸技艺的基础结构框架。技艺相合是手工技艺的底层运行逻辑,本质上民间剪纸是在内外相合、物我互联、外力驱动、动静一体的状态下形成且不断发展的民间造物艺术类型。
Folk paper cutting is the mother art of Chinese folk art.The study aims to sort out and integrate the composition of folk paper-cutting craft,grasp its operational structure,and the study aims to provide some ontological model reference for the construction of related handcraft knowledge.The article introduces the technical morphology theory,composes and analyzes the folk paper-cutting skills system from both the micro-skills composition and macro skills operation,captures the common genes and individual characteristics,and extracts the basic structural framework of paper-cutting skills.The combination of skills and techniques is in essence,folk paper-cutting is formed and continuously developed under the state of internal and external integration,interconnection of things,external force,and dynamic and static integration.
出处
《创意设计源》
2022年第1期53-59,共7页
Idea & Design
基金
2020年度上海市哲学社会科学青年项目“设计介入上海红色文化空间再生产的表征实践”(项目编号:2020EWY017)
2020年度江苏省社会科学基金项目“乡村振兴视域下江苏民间手工艺的价值选择及分类创作研究”(项目编号:20YSD006)阶段性研究成果
关键词
手工技艺
民间剪纸
技艺形态
handcraft
folk paper cutting
form of craft