摘要
以西喜马拉雅地区托林寺和塔波寺中遗存的仁钦桑布时期壁画为中心,以天花板、尊像背光和人物服饰上的纹饰为研究对象,初步梳理西喜马拉雅地区佛寺纹饰的早期特征,尝试厘清纹饰的不同来源,并通过分析纹饰的题材、结构方式及绘制风格,讨论西喜马拉雅地区佛寺纹饰在藏传佛教艺术初期的特征。
Focusing on the frescoes of Renchen Bzangpo period left in the Tholing temple and Tapho temple in the Western Himalayas,and taking the decorations on the ceiling,the backlight of the statues and the costumes of the figures as the research objects,this paper preliminarily sorts out the early characteristics of the decorations of buddhist temple in the Western Himalayas,and tries to clarify the different sources of decoration,and by analyzing the theme,structure and drawing style of the decoration,it discusses the characteristics of buddhist temple decoration in the Western Himalayas in the early stage of Tibetan buddhist art.
出处
《创意设计源》
2022年第1期31-36,共6页
Idea & Design
基金
2020年度中国艺术研究院基本科研业务费项目“拉达克阿契寺(Alchi)壁画纹饰研究”(项目编号:2020-1-21)阶段性研究成果
关键词
西喜马拉雅地区
仁钦桑布时期
托林寺
塔波寺
纹饰
Western Himalayan
Renchen Bzangpo period
Tholing temple
Tapho temple
decoration