绥宁寨市古镇唐萍爱万花茶雕花蜜饯艺术探析

Analysis on the Art of Carve and Candied Tea in Tang Pingai, Ancient Town of Suiningzhai City

为探究湖南省邵阳市绥宁寨市古镇苗侗族万花茶雕花蜜饯的历史缘起、工艺特色、艺术形式和文化内涵,通过实地走访绥宁寨市古镇民间雕花艺人唐萍爱、查阅相关文献资料,重点研究了唐萍爱冬瓜雕花蜜饯的作品特色,并指出绥宁寨市古镇万花茶主要缘起于当地的自然生态环境和苗侗族的民风民俗,揭示了唐萍爱万花茶雕花蜜饯三个方面的特点:一是工序严谨,工艺精湛;二是构思巧妙,布局合理;三是形神兼备,内涵丰富。唐萍爱万花茶雕花蜜饯作品凝聚着苗侗族的民族精神信仰,承载着苗侗族的文化艺术内涵,是其艺术感知、审美创意和工艺水平的物质载体。

Explore the historical origin,craft characteristics,art form and cultural connotation of the MiaoDong people’s ten thousand flower tea in the ancient town of Suiningzhai,Shaoyang.Through on-site visits to Tang Pingai,a folk carving artist in the ancient town of Suiningzhai City,and looking up relevant literature,the focus is on the characteristics of Tang Ping’ai’s works of carved wax melon.And it is pointed out that Wanhua tea in the ancient town of Suiningzhai City is mainly derived from the local natural ecological environment and the folk customs of the Miao and Dong people.Tang Pingai’s Wanhua tea carved candied fruit has the following three characteristics:first,the process is rigorous and the craftsmanship is exquisite;the second is the conception,ingenious and reasonable layout;third,it has both form and spirit and rich connotation.Tang Pingai Wanhua tea carved candied fruit works embodies the national spiritual beliefs of the Miao and Dong people,which carries the cultural and artistic connotation of the Miao and Dong people,and is the material carrier of its artistic perception,aesthetic creativity and technological level.