论托马斯·温特伯格电影风格的形成与嬗变

On the Formation and Evolution of Thomas Vinterberg’s Film Style

作为20世纪90年代道格玛95电影运动的主要发起人,丹麦电影导演托马斯·温特伯格及其电影作品历来都备受全球影坛关注。从1996年执导第一部故事长片《最伟大的英雄》至今,温特伯格从影24年,共完成11部故事长片。道格玛95是温特伯格最显著的作者导演特征,这场电影运动所标榜的先锋手法和电影观念在其创作谱系呈现出从"外化"到"内隐"的变化趋势。此外,温特伯格通过对家庭和社区等叙事空间的反复调用,以"丹麦故事"回应全球性议题等一系列叙事与表意探索,在实现对道格玛95形式戒律的反思与超越的同时,也重塑其作者导演风格。

As the main initiator of the Dogma95 film movement in the 1990 s,the Danish film director Thomas Vinterberg and his film works have always attracted worldwide attention.Since directing the first feature film"The Greatest Hero"in 1996,Vinterberg has been in the film industry for 24 years and has completed 11 feature films."Dogma95"has Vinterberg’s most significant author and director characteristic.The pioneering techniques and film concepts featured in this film movement show a trend of change from"externalization"to"internalization"in his creative pedigree.In addition,through repeated calls to narrative spaces such as families and communities,and a series of narrative and ideological explorations such as responding to global issues with the"Danish Story",Vinterberg has realized the reflection and transcendence of Dogma95’s formal precepts,and shaped the style of its author and director.