从《狂流》到《马路天使》:左翼电影大众化理想的曲折实现

From Raging Waves to Angels on the Road:The Tortuous Realization of Left-wing’s Film Popularization Ideal

在文艺大众化的影响下,左翼电影提出"电影大众化"口号,试图以无产阶级意识形态驱动电影创作,以电影的"大众化"来"化大众"。初入电影界的左翼影人对电影的认识与电影创作规律、市场实际情况存在较大出入,"电影大众化"受阻。在国防电影阶段,左翼影人的理论反思与实践探索,使得进步电影在新时局背景下焕发辉煌,最终实现了电影与更广泛群众的结合。从"电影大众化"理想的曲折实现,可窥历史机制中各因素拉锯互动的过程。

Under the influence of the Popularization of Literature and Art,the left-wing films put forward the slogan"Film Popularization",trying to create films with proletarian ideology to educate the public.Left-wing filmmakers who were new to the film industry had a large discrepancy in their understanding of films from the rules of film creation to the actual market conditions,film popularization was therefore hindered.In the stage of national defense film,left-wing filmmakers’theoretical reflections and practical explorations made progressive films and finally combined with more people.From the tortuous realization of film popularization,an interaction process of various factors in the historical mechanism can be seen.