北亚鼓圈——中俄萨满响器谱系研究的两个“半圆”

North Asian Drum Circle——Two “Semicircles” of the Shamanic Percussion Instruments Genealogical Study in Russia and China

19世纪末至20世纪初,北亚鼓圈渐成为国际萨满文化研究的“热圈”。而当黑龙江/阿穆尔河成为中俄两国界河时,这个鼓圈也随之分为两个“半圆”。文章将中国萨满音乐的田野考察成果与俄罗斯民族学文献相勾连,并与欧洲博物馆发现的北亚萨满文物交集互文,通过个案描述与比较,追溯萨满鼓的文化原型,为完整的北亚萨满响器谱系建构打下基础,进而促进世界三大萨满鼓圈的比较研究——书写一部完整的萨满鼓生命史。

From the late 19th century to the early 20th century,the North Asian drum circle gradually became the“hot circle”of international shamanic culture research.When the Heilongjiang/Amur River became the border river between China and Russia,this drum circle was divided into two“semicircles”.The article not only connects the Chinese shaman music field research results with Russian ethnographic literature,but also intertextualizes the North Asian shamanic artifacts found in European museums.Tracing the cultural prototype of shamanic drums through the case descriptions and comparisons,the article established the foundation for the complete genealogy of North Asian shamanic instruments,in order to promote the comparative study of the three shamanic drum circles in the world,what for the purpose that to write a complete life history of shaman drums.