摘要
抗战时期,俄苏音乐在中国出现了一次传播高潮。这一传播高潮以中苏重新修好为背景,呈现出跨越党际、以声乐体裁为主、逐渐向音乐专业内部过渡的传播特点。这一时期俄苏音乐对中国音乐创作产生的影响虽然局限于“旋律层”,且带有明显的实用主义色彩,但是俄苏音乐在微观技术层面促进了中国音乐在技术语言上表达群体情感的准确性,具有象征意义的旋律音调为下一个具有“排他性”的友好序列的最高峰做了一次历史性的铺垫。
During the Anti-Japanese War,the dissemination of Russian-Soviet music in China had a climax which based on the restarting diplomatic relations between China and the Soviet Union.This propagating charactered cross parties and transit into professional music area,and the major genre of it is vocal music.Pragmatism obviously,Chinese music is only influenced by Russian-Soviet on melody in this period,but observing the micro composition technique,the Russian-Soviet music promoted Chinese music language on the accuracy expression of masses emotions indeed.The symbolic melody paved the way historically for the next highest friendship peak which is exclusiveness.
出处
《北方音乐》
2022年第2期15-23,共9页
Journal of the Northern Music
基金
中央支持地方高校改革发展资金人才培养项目《俄罗斯音乐成就的成因及对中国的启示研究》(编号:2020GSP18)之阶段性成果
关键词
抗战时期
苏联
俄苏音乐
抗战歌曲
传播
Anti-Japanese War period
Soviet Union
Russian-Soviet music
Anti-Japanese War songs
dissemination