中国妇女儿童博物馆馆藏《清代玻璃彩绘仕女图座屏》考论

Study on the Reverse Glass Painting Portrait of a Lady of the Qing Dynasty Collected by the China National Museum of Women and Children

中国妇女儿童博物馆馆藏的《清代玻璃彩绘仕女图座屏》,学界多认为其母本为油画作品《香妃旗装像》。文章通过对《香妃旗装像》的分析,认为并非如此。笔者在列举可查的其余九幅高度雷同的系列作品后,认为清晚期关晓村所绘油画作品《香港和兴第四妾》很有可能是整个系列作品的肇始。《清代玻璃彩绘仕女图座屏》作为整个系列唯一一幅玻璃画,见证了19世纪晚期外销玻璃画即将退出历史舞台前的最后时光,更显弥足珍贵。

The Reverse Glass Painting Portrait of a Lady of the Qing Dynasty collected by the China National Museum of Women and Children originates from an oil painting titled Portrait of The Fragrant Imperial Concubine in Court Attire.This article analyzes the content depicted in the Portrait of the Fragrant Imperial Concubine in Court Attire and argues that it has no relation to the painting which mentioned above.After listing nine other highly similar series works,the article asserts that the late Qing Dynasty oil painting Fourth Concubine of He Xing in Hong Kong region painted by Guan Xiaocun marks the beginning of the entire series.As the only reverse glass painting in the entire series,the Reverse Glass Painting Portrait of a Lady of the Qing Dynasty illustrated the final days of the export Chinese reverse glass paintings in the 19th century,making it even more precious.