摘要
汉代民众追求“升仙不死”的长生之术,盛行“事死如生”的厚葬风俗,随之“升仙”和“厚葬”便巧妙地结合在一起,大规模的造仙运动以画像石、画像砖、壁画等为主要载体呈现在墓葬中,创造出丰富多彩的仙界景象,以此期盼墓主人在死后能够到达仙界,长生不老。“山形冠”则是众多仙界元素中被刻画在东王公、西王母、太一、伏羲、女娲、成王、秦始皇等头上的独特冠饰,发展到后期甚至麒麟、句芒、不明身份的神仙等也都佩戴山形冠。笔者通过搜集汉画像石中与山形冠相关的图录以及文献记载,初步认为山形冠是汉代工匠用于表现与成仙相关的象征元素,且这种冠饰佩戴者身份地位都比较尊崇。
During Han Dynasty,people pursued the art of immortality,and the prevailing custom of“treating death as if it were life”was luxurions burial.As a result,“immortality”and“luxurions burial”were cleverly combined.And these trends were mainly presented in tombs by portrait stones,portrait bricks,murals,etc.,creating a rich and colorful scene of the immortal realm,hoping that the tomb owner could reach the immortal realm to obtain immortality.The“Mountain-shaped Crown”is a unique crown decoration depicted in Han Dynasty wore by Dongwanggong(东王公),Xiwangmu(西王母),Taiyi(太一),Fuxi(伏羲),Nyuwa(女娲),Chengwang(成王),Qinshihuang(秦始皇),etc.Later,even Qilin(麒麟),Goumang(句芒),and unidentified immortals wore mountain-shaped crowns,too.Through collecting illustrations and literature records related to the mountain-shaped crown in Han portrait stones,this paper preliminarily believes that the mountain-shaped crown is a symbolic element used by Han Dynasty craftsmen to express the pursuit of immortality,meanwhile the identity and status of the wearer of the crown are relatively respected.
作者
艾菲
Ai Fei(Linxia Prefectural Painting Pottery Museum(The Museum of Linxia Antonomous Prefecture),Linxia,731100)
出处
《博物院》
2024年第1期36-43,共8页
Museum
关键词
山形冠
汉代
画像石
升仙
Mountain-shaped crown
Han Dynasty
stone relief
ascending to immortality