故宫博物院藏乾隆款画珐琅双叶耳瓶的设计理念与制作工艺研究

Research on Design Concept and Manufacture Technology of the Qianlong Reign Painted Enamel Vase with Two Symmetrical Leaf Shaped Handles from the Palace Museum’s Collection

本文选取故宫博物院藏一件乾隆款画珐琅百花地开光山水图双叶耳瓶作为研究对象,通过科学检测分析此件珐琅大瓶的原材料成分与制作工艺痕迹,结合文献资料的记录印证推论,开展研究工作。本文主要从珐琅大瓶的制作方式、装饰手法和时代背景等方面进行思考和探讨,通过研究其制作工艺,探究其制作产地以及装饰风格中所呈现的中西文化融合之现象,讨论其特殊的装饰风格和设计理念,并试图归纳总结古代工艺品的制作受到物主喜好、社会风尚、工艺水平、文化与技术交流等因素影响的一般性规律。

This paper discusses a painted enamel vase,which is from the Palace Museum’s collection,with medallion landscape design from Qianlong reign.This research carries out through scientifi c analysis of the material composition and manufacturing traces of this painted enamel vase,combines with documentary records and inferences.This paper discusses several aspects,including the production method,decoration technique and historical background.By studying its manufacture technology,probing into the phenomenon of the fusion of Chinese and Western culture in its decorative style,it discusses its special design concept of decorative style.This study,at the end,attempts to sum up the general rules that the production of ancient handicrafts is affected by the factors such as owner preference,social fashion,craft level,culture and technology exchange.