摘要
在中华人民共和国成立初期,党的主要任务是加强国内外对新政权的认同,完成社会主义革命和推进社会主义建设。此时,抗美援朝运动中的展览会不仅参与了宣传正当化的过程,还推动了国家建设,赢得了更有利的国内国际环境。抗美援朝叙事之所以能够将国外冲突作为国内建设和政治参与的动力,是因为其主要矛盾是阶级冲突。博物馆的解释是由“当下”塑造的,也因此是理解其时社会的窗口。
In he early days of the founding of the People’s Republic of China,the main task of the Communist Party of China(CPC)was to strengthen the recognition of the new state at home and abroad,complete the socialist revolution,and promote socialist construction.The exhibitions held during the Campaign in War to Resist US Aggression and Aid Korea in the early 1950s not only participated in the legitimization of propaganda,but also promoted national construction and won a more favorable domestic and international environment.The reason why it is possible for the narrative of the Campaign in War to Resist US Aggression and Aid Korea to use foreign conflicts as a driving force for domestic construction and political participation is because they are both fundamentally class conflict.The interpretation of museums is shaped by the present and therefore serves as lenses for understanding the society of that time.
作者
常嘉意
Chang Jiayi(School of Museum Studies,University of Leicester,Leicester)
出处
《博物院》
2023年第6期37-44,共8页
Museum
关键词
抗美援朝
展览会
宣传动员
政治参与
The Campaign in War to Resist US Aggression and Aid Korea
exhibition
propaganda and mobilization
political engagement