修复理念与实践探究——以《蒋懋德绘山水贴落》为例

Research on Restoration Concept and Practice:Taking Jiang Maode’s Landscape Painting as an Example

本文以故宫博物院藏贴落《蒋懋德绘山水贴落》的修复为例,概述了该件文物的历史、原状陈列信息,以及整体修复流程。然后以修复步骤中耗时最长的全色接笔一步为切入点,通过对比古今修复理念,对全色接笔方案进行了探讨。同时,文中详细介绍了该步骤所需的材料选择与实操过程,并对操作细节展开论述。旨在丰富大型书画类文物修复的文字资料,为业界同仁提供参考。

The paper introduces the restoration scheme of Jiang Maode’s Landscape Painting which collected and posted by the Palace Museum,by emphasizing one of the most important and longest step:the color repainting.The paper compared the ancient and modern restoration concepts,at the same time,it introduces the material selection and restoration process and discusses the operation details.The purpose of the paper is to enrich the written materials in all kinds of restoration,especially for large-scale original display of calligraphy and painting cultural relics,and to provide reference for our colleagues.