从“乡土想象”到“海水变蓝”:贾樟柯电影的叙事伦理研究

从“故乡三部曲”到《一直游到海水变蓝》,贾樟柯的电影创作总在一种群体性的代际伦理关怀中,表现自身作为“返乡者”的自我意志与省思可能。这层基于历史与现实、肉身沉痛与诗性想象、文学陈述与影像生成的二元对立情绪表达中,呈现了一个乡土里的家国发展与个体生命的某种伦理关联。继而才使得贾樟柯的电影一直游走在离乡与近乡的伦理感怀中,并从历时性的乡土共情中获得了自我治愈的伦理慰藉。从一而终地秉持自身对生活“俗世”伦理、城乡伦理与家庭伦理的关照。

From the“Hometown Trilogy”to Swimming Out Till the Sea Turns Blue,Jia Zhangke’s film creation always expresses his self will and reflection possibility as a“returnee”in a kind of group intergenerational ethical care.This layer of binary opposition emotional expression based on history and reality,physical pain and poetic imagination,literary statement and image generation presents a certain ethical relationship between family and country development and individual life in the countryside.Then Jia Zhangke’s films have been wandering in the ethical feelings of leaving and approaching the hometown,and obtained the ethical comfort of self-healing from the diachronic local empathy.Always uphold their own care for life“secular”ethics,urban and rural ethics and family ethics.