舞剧编创“学院风范”的生聚与笃行——北京舞蹈学院舞剧编创述评(2000—2009)

Aggregation and Dedication of“Academic Style”of Dance Drama Creation:Commentary on the Dance Drama Creation at Beijing Dance Academy(2000—2009)

20世纪80年代中后期至90年代,北京舞蹈学院编导专业的毕业生在全国各地参与大型舞剧编创,逐步实现了大型舞剧编导的代际更新。进入21世纪以来,以王玫率先“揭竿”,留校任教的编导系教师带领所教班级进行大型舞剧编创,使北京舞蹈学院的舞剧编创蔚成风气。尽管20世纪80年代中期便有章民新带领首届编导大专班(1982—1984)编创了毕业作品舞剧《屈原》,90年代中期又有邓一江带领任教班级(1994一1998)编创了舞剧《情殇》;但影响最大的还是王玫任教的1998级和2004级现代舞班一路编创的舞剧及舞蹈剧场《我们看见了河岸》《雷和雨》《天鹅湖记》和《洛神赋》。回溯21世纪的头十年,北京舞蹈学院的这类舞剧编创纷至沓来:张建民任教的2000级编创了舞剧《原野》;张云峰任教的2002级编创了舞剧《花环》;吴蓓任教的2006级编创了舞剧《半生缘》。当然,还有不在编导系任教的万素为青年舞团和社会舞蹈系分别编创了舞剧《唐琬》《长恨歌》;更有主持“汉唐古典舞”教学的孙颖再度编创了这一学科的代表性舞剧《铜雀伎》。正是由于上述舞剧作品的生聚和舞剧编导的笃行,形成可称为“舞剧编创学院风范”的文化景观。

From the mid-and-late 1980s to 1990s,the choreography major graduates of Beijing Dance Academy participated in the large-scale dance drama creation across the country,gradually achieving the intergenerational transition of choreographers.Since the beginning of the 21st century,the graduate Wang Mei,who later became a teacher at the Department of Choreography,has taken the lead to create large-scale dance dramas with her students,making dance drama creation at Beijing Dance Academy a trend.Although in the mid-1980s,Zhang Minxin led the first junior college class(1982-1984)of choreography students to create the graduation work dance drama Qu Yuan,and in the mid-1990s,Deng Yijiang led the teaching class(1994-1998)to create the dance drama Elegy for Love;the most influential ones were the dance dramas and dance theaters We See the River Bank,Thunder and Rain,A Record of Swan Lake,and The Ode to the Goddess of the Luo River created by the modern dance classes of 1998 and 2004 taught by Wang Mei.Looking back at the first decade of the 21st century,Beijing Dance Academy has produced a variety of dance dramas:Zhang Jianmin’s 2000 choreography class created the dance drama Wilderness;Zhang Yunfeng’s 2002 class created the dance drama Flower Wreath;Wu Bei’s 2006 class created the dance drama Half-Life Fate.There were also Wan Su,who did not teach at the Department of Choreography,created dance dramas such as Tang Wan and Song of Everlasting Sorrow for the Youth Dance Company and the Department of Social Dance respectively;Sun Ying,who taught Chinese Han-Tang classical dance,once again created the representative dance drama of this discipline,Sorrows of Tongque Stage.It is because of the aggregation of the aforementioned dance works and the dedication of choreographers that a cultural landscape of“dance drama creation of academic style”has been formed.