对舞剧改编的互文性思考——以小说《红楼梦》为核心

Study on the Intertextuality of Dance Drama Adaptation:A Dream of Red Mansions as the Core

舞剧对小说《红楼梦》的改编既是中国舞剧发展中的重要实践,也是红学研究中的重要命题。自上世纪80年代至今,舞剧对《红楼梦》的改编从未间断,且呈现精品多、名家参与广、影响力大的特征。文章以红楼舞剧副文本为基点,阐释原著与舞剧的三种互文性模式:忠于原著、得意忘言和随意赋形。其中,忠于原著倾向于对原著经典情节的再现,得意忘言注重对原著哲学意蕴的表现,随意赋形则凸显出先锋性色彩。这其中既反映了《红楼梦》在不同时代文化艺术形态语境中的延伸,也涉及舞剧对文学作品改编的尺度、传统与现代对接、东方与西方文化交流等命题。文章以副文本为切入点,探究舞剧互文性的深层机制和功能,从互文性角度对改编进行探讨,在拓宽舞剧改编理论研究的同时也试图对传统文化现代化问题进行思考。

The adaptation of the novel A Dream of Red Mansions is not only an important practice in the development of Chinese dance drama,but also an important proposition in the history of redology.Since the 1980s,the adaptation of A Dream of Red Mansions has never been interrupted,and showing the characteristics of many fine works,extensive participation of famous artists and have great influence.Based on the paratext,this paper extracted three models of intertextuality between novel and dance drama.The first point is faithful to the original work,the second point is pay attention to the meaning of the original work which the expression of the philosophical implication of them,the third point is according to the creative purpose of the director to transform the original work which it shows the vanguard Pioneering character.The above methods not only reflect the extension of novels in the context of cultural and artistic forms in different times,but also involve the scale of the adaptation of literary works by dance dramas,the connection between tradition and modernity,cultural exchange and so on.In addition,take the paratext as the basis of the study of dance drama adaptation not only broadens the theoretical study of dance drama adaptation but also deepens the thinking of the modernization transformation of traditional culture.