舞台化民族民间舞的叙事性追求——以中央民族大学舞蹈学院藏族群舞作品为例

Narrative Pursuit of Staged Chinese Ethnic and Folk Dance:Taking Group Dance Works of Zang Ethnic Minority Created by College of Dance,Minzu University of China as an Example

中国民族民间舞是千百年来由我国各族人民群众共同创作、传承的民间艺术,是具有鲜明民族风格和地方特色的舞蹈形式,更包含了中国各族人民群众的精神观念、审美情趣、生活态度等宝贵财富。中国民族民间舞的编创者通过对舞台作品的“叙事性”追求,将这些宝贵的财富通过舞台反馈于广大人民群众,更能向世界讲述中国故事,弘扬中华民族优秀传统文化。文章以中央民族大学舞蹈学院藏族群舞作品为分析对象,阐明中国民族民间舞蹈作品在进行叙事性表达时所遇到的瓶颈、叙事性创新路径以及新时代中国民族民间舞蹈作品叙事性追求的意义。

Chinese ethnic and folk dance is a folk art created and inherited by people of all ethnic groups in China for thousands of years.It not only constitutes dance forms with distinctive ethnic styles and local characteristics,but also contains Chinese people’s valuable spiritual concepts,aesthetic interests and attitudes toward life.By pursuing the“narrative”feature in stage works,the choreographers of Chinese ethnic and folk dance convey these values to the general public on the stage,tell the story of China to the world and promote the excellent traditional Chinese culture.This paper focuses on the group dance works of the Zang ethnic minority created by the College of Dance,Minzu University of China,trying to elucidate the bottlenecks encountered in the narrative expression of Chinese ethnic and folk dance,the path to the narrative pursuit,and the significance of such a pursuit for Chinese ethnic and folk dance in the new era.