摘要
关于结构存在诸多的定义,就舞蹈而言,结构创作的理论大都源于编导舒巧对于舞剧结构的定义。文章以田露创作作品为研究对象,分析并阐述其作品中所呈现的结构特点,探讨基于形象的结构方式所具有的语言特征及其具备的审美倾向。文章并非试图建构一种新的结构方式,仅是从对田露作品的个案研究中为当下中国舞蹈创作提供可行的结构方式。
There are many definitions of structure.As far as dance is concerned,most of the theories of structure creation derive from choreographer Shu Qiao’s definition of the structure of dance drama.Taking the dance works created by Tian Lu as the research object,this paper illustrates the structural characteristics presented in her works and discusses the language characteristics and aesthetic tendencies of the image-based structural mode.It does not attempt to construct a new structural approach,but only to provide a feasible structure for current dance creation from the case study of Tian Lu’s works.
作者
李延玥
LI Yan-yue(Graduate Faculty,Beijing Dance Academy,Beijing 100081,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2023年第1期111-116,共6页
Journal of Beijing Dance Academy
关键词
田露
舞蹈创作
舞蹈作品结构
Tian Lu
dance choreography
structure of dance works