摘要
技术的迭代正推动公共艺术发生系统性的数字化转向。数字化通过新载体与新媒介,进而革新了公共艺术表达范畴和艺术生产逻辑,重新确立了公共艺术“去中心化”的传播、评价体系。同时,在资本裹挟下,平台化、数字化的公共艺术与消费文化渐渐形成深度绑定趋势,数字化将经济需求与艺术审美需求的矛盾问题摆在了台前。本文试通过对以上纬度的探讨,总结数字化迭代下公共艺术的种种特征,探究艺术审美与技术潮流矛盾下的争论与趋势。
The iteration of digital technology is driving a systematic shift in public art.Through new carriers and new media,digitalization has revolutionized the scope of public art expression and the logic of art production,which re-established a"decentralized"system of communication and evaluation for public art.At the same time,the platformisation and digitisation of public art and consumer culture under capital hostage have gradually formed a deep binding trend.Digitalization has put the contradiction between economic needs and artistic aesthetic needs in front of the stage.This paper attempts to summarize the characteristics of public art under digital iteration by exploring the above latitudes,and to study the controversies and trends under the contradiction between artistic aesthetics and technological trends.
作者
张禹涵
张可欣
Zhang Yuhan;Zhang Kexin
出处
《公共艺术》
2023年第3期53-57,共5页
Public Art
基金
重庆市艺术科学规划研究项目《体验设计视域下重庆工业遗址的文化空间研究》(23YB02)
宜宾市社科规划项目《基于城市文化传播视野下宜宾城乡公共艺术营造策略研究》(2022YBSKL86)项目成果
关键词
公共艺术
价值转向
数字化
去中心化
技术迭代
public art
value shift
digitization
decentralization
technology iteration