音乐剧演唱的隐性动能——人文内涵

The humanistic connotation in musical singing

音乐剧歌曲构建了整个剧的音乐结构(song plot),每首歌曲亦有相应的戏剧功能,如叙事抒情、塑造人物性格、营造戏剧气氛、表达戏剧主题等。演员如何实现剧作家、剧诗家、音乐家的创作目的,除了具备必需的"歌唱技术"之外,还需要可加强戏剧表现力的动能——自身的"人文内涵"。此动能涉及戏剧文学、戏剧表演、音乐文学、音乐理论等方面的艺术知识,唯有通过演员的戏剧性歌唱才能被综合感受到,因而可视其为音乐剧演唱的"隐性动能"。演员在剧目排演前需做好必需的案头工作,以此加深自己的人文修养,从而强化戏剧性歌唱能力,在音乐剧舞台上塑造各式各样的戏剧人物。

In addition to having the requisite“singing skills,”a good musical theater performer also needs the kinetic energy that can strengthen performances,akin to“humanistic connotation.”This kinetic energy involves knowledge of dramatic literature and performance,music literature and theory.Only through an actor’s dramatic singing can audiences feel such“hidden kinetic energy.”