论西洋歌剧的民族性(11):法国歌剧的民族性(中)

On the national traits of Western opera(11):French opera(Part 2)

(接上期)(三)古诺歌剧的民族性1.古诺的生平古诺(1818~1893)出生于巴黎,和对法国歌剧的发展做出重要贡献的几位前辈,如吕利和凯鲁比尼是意大利人,梅耶贝尔是德国人不同,他算是地道的法国人。古诺出生于艺术之家,父亲是巴黎美术学院的名画家,曾获二等罗马奖,母亲是钢琴家。古诺18岁入巴黎音乐学院,是高才生,19岁便获二等罗马奖,21岁更荣获罗马大奖。他先后师从多位名师学习和声、对位与赋格等作曲技法,转益多师。

For decades,China’s operatic scene has been shrouded by“foreign accents and foreign tunes,”generating much debate and controversy.Playwright and librettist Huang Qishi,who served as Vice President of the China Opera and Dance Theater,discusses the issue of nationalism in Western operatic history,shedding light on the present and future of Chinese opera.